![]() ![]() When you go from programming to performance mode, in other words – even as you work – you can quickly add hands-on control. Each drum has what are in effect Macro controls, all MIDI-latchable, and various MIDI assignment options, as illustrated in the video. Sounds useful enough, though for more complex rhythms, of course, you’ll want to turn to your host or another MIDI source. 16-step internal patterns, each with four tracks. 2 envelopes, 2 LFOs, 8 modulation slots, for one of four effects units. These route together into a prerequisite Mixer. Per-drum distortion, individual output busing, choke groups. ![]() Load one of any number of presets and preset samples, or load your own sample content into the drum machine. Each drum can choose one of several synthesis models or samples.The Drums, The Drums… 2 bass + 2 open hat + 2 closed hat + 3 tom + 2 clap + 3 user.The video above is quite extensive – one watch-through will likely tell you whether or not this is for you. ![]() But it’s worth examining for two reasons: one, independent soft synth designer Rob Papen has done some of the best work in recent years, and two, it appears to offer a rich set of practical features in equal measure. It reflects a number of trends in soft synth design – given a choice between sampling and synthesis, it choose both 64-bit support comes standard pattern sequencing is built in. On the software side, one of the most promising is Rob Papen’s Punch. In a sea of software and hardware, a handful of releases every year stand out. ![]()
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